Painter of the Bible

Master of the Codex Amiatinus (Monkwearmouth-Jarrow scriptorium)

FromAnglo-Saxon (Northumbrian)Works425

The Master of the Codex Amiatinus is the conventional art-historical name for the principal anonymous illuminator of the Codex Amiatinus — the great early-eighth-century Anglo-Saxon Northumbrian illuminated Bible now in …

Codex Amiatinus, 1 Chronicles 5 (canvas 533)Codex Amiatinus, 1 Chronicles 5 (canvas 533)

Life & work

The Master of the Codex Amiatinus is the conventional art-historical name for the principal anonymous illuminator of the Codex Amiatinus — the great early-eighth-century Anglo-Saxon Northumbrian illuminated Bible now in the Biblioteca Medicea Laurenziana in Florence (MS Amiatinus 1) and the earliest surviving complete Latin Vulgate Bible. The manuscript was produced at the Anglo-Saxon Benedictine twin abbey of Wearmouth-Jarrow in Northumbria around 692–716 under the patronage of Abbot Ceolfrith.

The Codex Amiatinus is enormous — over a thousand parchment leaves, more than seventy-five pounds in weight, written in a careful insular uncial script — and was originally one of three pandects (one-volume Bibles) that Ceolfrith commissioned for the Wearmouth-Jarrow library. In 716 the aging Ceolfrith left the abbey on a final pilgrimage to Rome carrying the Codex Amiatinus as a gift for Pope Gregory II, but he died on the journey at Langres in Burgundy. The Bible was eventually delivered to the Lombard abbey of Monte Amiata in Tuscany (from which it takes its modern name) and remained there until the suppression of the Italian monastic houses in 1782, when it was transferred to the Laurentian Library in Florence.

The manuscript contains eight surviving full-page illuminations — the Tabernacle of the Old Covenant, the Ezra page (Ezra writing the books of the Bible, traditionally identified with the manuscript's principal patron Ceolfrith himself), the Maiestas Domini at the front of the New Testament, and several decorative cross-and-symbol pages. The Master of the Codex Amiatinus pictorial style is the unmistakable Anglo-Saxon insular signature combined with strong late-Antique Mediterranean pictorial conventions absorbed from imported Byzantine and Italian manuscripts that the Wearmouth-Jarrow library held in considerable numbers.

The manuscript was, until the end of the twentieth century, the principal scholarly text-witness for the modern critical reconstruction of the Latin Vulgate. Its pictorial program shaped the entire Anglo-Saxon and subsequent insular illuminated tradition.

Bible scenes Master of the Codex Amiatinus (Monkwearmouth-Jarrow scriptorium) painted

All works by Master of the Codex Amiatinus (Monkwearmouth-Jarrow scriptorium) in our library

Frequently asked questions

Who was Master of the Codex Amiatinus (Monkwearmouth-Jarrow scriptorium)?
The Master of the Codex Amiatinus is the conventional art-historical name for the principal anonymous illuminator of the Codex Amiatinus — the great early-eighth-century Anglo-Saxon Northumbrian illuminated Bible now in the Biblioteca Medic…
What Bible scenes did Master of the Codex Amiatinus (Monkwearmouth-Jarrow scriptorium) paint?
Our library currently holds 425 approved works by Master of the Codex Amiatinus (Monkwearmouth-Jarrow scriptorium), with works depicting passages from 1 Chronicles, Luke, 1 Corinthians, 1 Timothy, 3 John, Revelation, 1 John, 2 Chronicles, 2 Kings, Deuteronomy, Exodus, Leviticus, Numbers, Joshua, 1 Kings, Psalms, Judith, Job, Ecclesiastes, Isaiah, Song of Solomon, Acts, Romans, Matthew, Genesis, 1 Samuel, 2 Samuel, Judges, Ruth, and 2 John.
How many works by Master of the Codex Amiatinus (Monkwearmouth-Jarrow scriptorium) are at Learn of Christ?
We currently have 425 works by Master of the Codex Amiatinus (Monkwearmouth-Jarrow scriptorium) in our public-domain library, indexed to the chapters and verses they depict.

Further reading